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Commissioned projects

I don’t feel diminished by creating commissioned works. On the contrary, collaborating with the client, combining our thoughts, adapting the works to spaces and sizes and dealing with and solving certain themes are often stimuli that enrich the works.

It is wonderful to work on a person, on the forms of their body, on their interiority and their psychology: to interpret them and discovered. For fine art photographs worthy of being displayed at home and proudly shown to guests. 

Collaboration with private companies can provide the opportunity to tell the story of three generations of business owners, displaying it outdoors in the company’s historic spaces and courtyard.

The client may be an institution, such as the Fondazione Campana dei Caduti (Bell of the Fallen Foundation) for whom I created the large work “Il mondo alla Campana” (The World at the Bell) of over 10 square meters and a series of thematic discs for the Terrace of Vision.

I remember with pleasure the realization of portraits of artisans to portray them as protagonists of the life of the city center. Or the intertwining of the specialized activities of carpenters with architects and interior designers.

Humanity is made of light and dark, of lights and shadows. This is the basis for my “Futurist Portraits of the third millennium”, formally inspired by the Futurist photography of the last century but conceptually current. We all have well-known aspects and other opaque ones. Some of our sides we recognize immediately, others with more difficulty. However, the portrait of the humanity is unique, with its positive and negative aspects mixed together, in a “before” and an “after”, in a past and a future fused together.

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